Published online by Cambridge University Press: 07 November 2025
During the first year of the global COVID-19 pandemic, Ghana’s creative arts communities captured its complex facets through various art forms. In Chapter 8, I focus on how these spontaneous artistic responses afforded the opportunity to examine in real time how grassroots arts and bottom-up social responses to health crises influenced health communication. Artists channelled ‘creative practices of the imagination’ regarding COVID-19, highlighting a mutually constitutive relationship between lay responses to the pandemic and what artists produced. The COVID arts they produced functioned in three arts and health domains: health education and knowledge production, disease prevention, and (indirectly) contributing to COVID-19 policy development. These intersecting functions converged on the science, culture and politics of COVID-19. I outline the subtle and radical ways artists translated the science, culture and politics of the COVID-19 pandemic to Ghanaian communities at home and abroad. I reflect on the insights these new art forms present for health communication during the COVID-19 pandemic and beyond.
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