The practice of anthropology is based on the ethnographer “being there” in time and space. And the act of writing is the reenactment of “presence” for the reader. “The field” is a romanticized space for empirical exploration. However, technological innovation and connectivity have enabled easy access to new “fieldsites” and vicarious participant-observation without being “present.” The entertainment media ecosystem is now more heterogeneous than ever and is more relevant in everyday life. The depth with which we immerse ourselves in these imaginary worlds speaks volumes about our withdrawal from other forms of engagement with the people, communities, and social problems around us. Romance and fantasy are a means to escape vulnerability and hopelessness, as well as serving as an outlet for the frustrations of failed social mobility. This essay posits that romance is a method for living today, and enjoyment is empiricism for a public anthropology. Romance is more than a genre; it is a guide to understanding how society functions. There is something deeply human about living through our imaginations to escape our present. Enjoying romance as a method to engage with the world offers insight into political infrastructures, social hierarchies, and elite intrigue. Life is full of afflictions, and romance is more than a salve; it offers a strategy for navigating social relations.