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This chapter reconstructs the argument of two essays, Of Suicide’ and ‘Of the Immortality of the Soul’, which were published posthumously. In these essays Hume defends that in specific circumstances suicide is morally acceptable and shows himself critical about the doctrine of a ‘future state’. Comparing the two essays with Part 12 of the Dialogues, I elucidate how Hume left us posthumously a testimony of his ambition to counter the religious spirit of his age. In the Dialogues Philo’s challenges Cleanthes’ view that religion forms a necessary support of morality. In ‘Of Suicide’ and ‘Of the Immortality of the Soul’, Hume attacks in a more openly provocative way the Christian morality of his age. As I show in a second part of this chapter, Hume’s views were in the eighteenth century still controversial. It is no coincidence that one of the first editions of the two polemic essays contained a translation of two letters of Rousseau’s Héloïse which offered a more nuanced view on the moral acceptability of suicide and the sacredness of human life. Apparently, some contemporaries were convinced Hume could learn from Rousseau: whether today this view would still prevail, I leave to the reader to decide.
In section 11 of the Enquiry concerning Human Understanding [EHU], “Of a Particular Providence and of a Future State,” Hume attempts to sketch a method for natural theology, a method that establishes clear limits as to what natural theology can show. Unsurprisingly, he does so in the form of a dialogue. I argue that this dialogue is important because, in it, Hume offers a response to the reasoning Butler employs in the Analogy of Religion (1736) in order to establish the existence of a providential God, or what Butler calls a “moral governor” of the universe. Appreciating Hume’s strategy in this dialogue helps us better appreciate Hume’s more radical position in the Dialogues Concerning Natural Religion and suggests a way of understanding the significance of Philo’s reversal in the final section. I claim that what appears to be a concession to religion actually turns out to have significant irreligious implications when considered as an extension of Hume’s response to Butler in EHU 11.
Much of Hume’s Dialogues Concerning Natural Religion is spent debating the experimental design argument for the existence of God. A change of scene occurs in the ninth part of the Dialogues when the character of Demea presents an a priori cosmological argument that purports to demonstrate God’s necessary existence. The argument is then criticized by the characters of Cleanthes and Philo. The conversation in the ninth part of the dialogue has occasioned a mixed legacy. For some scholars, the objections raised by Cleanthes and Philo to the cosmological argument in Part 9 are persuasive and inspiring, whereas for others the objections are ineffective and overrated. This paper critically assesses the mixed legacy of Hume against the cosmological argument, in particular, one of Cleanthes’s famous objections to do with a collection of twenty particles of matter. This objection has had a lasting impact in the philosophy of religion literature in the form of the much disputed, ‘Hume-Edwards Principle’ (HEP). However, I claim that the HEP misrepresents the text on two counts, and that via the spokesperson of Cleanthes, Hume’s point against the cosmological argument has yet to be fully appreciated by critics.
This interpretive chapter attends to an often overlooked feature of the Dialogues: the tone of its repeated disputes. It asks what is the meaning of the tone and probes its value. To do so, it begins with a consideration of character in a dual-sense: the moral character of these disputes between literary characters. It argues that critical engagement with characterization via the lens of literary theory reveals that it is a category mistake to reduce the voice of a fictional character (e.g., Philo) to that of a real person (e.g., Hume). It further contends that if we think of each fictional character as merely a solitary component of a larger narrative flow we are more likely to focus on the basic action that is internal to the narrative, that is: disagreement, rather than who the character speaks for. Finally, it claims that the virtuous disagreement between interlocutors here rehearses an ethics of responsiveness that can be viewed as pointing towards a moral element. Hume’s dramatic sensibilities obscure the ethical temperament of the disagreements yet their posture reflects a gestural phenomenon of responsiveness (per Elise Springer) that might come close to expressing Hume’s ideal form of religion.
This paper examines the themes of history, psychology, and epistemology in Hume’s Natural History of Religion. In the first half, I argue that the origin of religion Hume seeks to uncover in this work is psychological rather than chronological: he is looking for religion’s origin in human nature rather than human history. In doing so, I reject the common view, going all the way back to Hume’s near contemporary Dugald Stewart, that the Natural History is a work of “conjectural history”. Examination of the work itself, and of the use of the term “history” at the time, corroborates the view that a “natural history” of religion, for Hume and his contemporaries, was an early form of what we would now call a theory of religious psychology.
In this chapter, I consider the Dialogues as a text that formulates and criticises a particular argument for design (‘the argument for design’). After presenting the relevant material from the Dialogues, I consider the strengths and weaknesses of the formulation of the argument that is the object of Hume’s criticisms, and set out what I take to be the full range of criticisms that Hume makes of it. I then assess the strength of these criticisms, paying particular attention to writers – for example Paley, Reid, Dawkins, and Hawthorne and Isaacs – who have claimed that Hume’s objections to ‘the argument for design’ are weak or ineffectual. Next, I consider the originality of Hume’s critique of ‘the argument for design’; I argue that, on the evidence that I have considered, Hume deserves most of the credit for the objections to ‘the argument for design’ in the Dialogues. I conclude with some brief remarks about the relative importance of the success of the criticisms of ‘the argument for design’ to the overall project of the Dialogues.
There are significant ambiguities in how “atheism” is to be understood or interpreted. Having considered these, we turn to Hume’s arguments and assess to what extent his views in the Dialogues should be interpreted in these terms. While it is evident that Hume opposed “superstition” and that he was, in this sense, plainly an irreligious thinker, this does not settle the question of his “atheism”. Although Hume has been read by some as an theist of a minimal kind, and by others as a sceptic or agnostic, both these accounts are rejected. Hume was, it is argued, a “hard sceptical atheist”, by which we understand him to take the view that we have probable (non-dogmatic) grounds for denying the theist hypothesis in all its forms. His “speculative atheism” is accompanied by a “practical atheism” which, while firmly opposed “superstition”, is willing to ally itself with both sceptics and those theists (or deists) who share Hume’s opposition to “superstition”.
I take this chapter as an opportunity to ask what Hume might think of rational religious belief given developments in philosophy of religion, epistemology and contemporary cognitive science of religion (which explores the natural roots of religion). To that end, I will consider some basic findings in the cognitive science of religion concerning the origins of religion in human nature. I will also reflect on some significant developments in twentieth-Century philosophy, including recent developments in religious epistemology, that I think Hume might have found insightful. I will argue that twenty-first-century Hume, perhaps ironically in line with the thought of Alvin Plantinga and Nicholas Wolterstorff (who in turn align themselves with Thomas Reid), would defend rational belief in God.
Hume’s Dialogues contains one of the most efficient and rhetorically effective – and consequently influential statements of the problem (or problems) of evil in literature. In the last three parts of the Dialogues, we can see much of the shape of the contemporary debate on the problem, in its various aspects. But, familiar though the main lines of that debate might be, Hume’s presentation of the issues in dramatic form throws up some less familiar angles, as well as posing a question concerning his own views on religion. This chapter will follow the course of the discussion as it unfolds, taking points more or less in the order in which they arise, but organised around the various problems of evil. It ends with a brief consideration of the wider consequences of the discussion.
Darwin read the Dialogues while still formulating his theory of evolution by natural selection. And one might suspect that he would have found there much to please and put to use. But he had already encountered Humean critiques of the argument from design, together with quite effective responses in the work of William Paley. Moreover, in the wake of his reading of Dialogues, Darwin placed greater and greater weight on the on the very sort of analogy that Hume had targeted in Dialogues, that is, drawing similarities between the natural world and products of human design, in service of the inference that the natural world was also designed. Darwin came to reject the conclusion of the argument from design, but his alternative, evolution by natural selection, also relied, heavily, on an analogy between nature and human artifice, the breeder’s art. But an important passage in the conclusion to the Origin suggests an important influence of the Dialogues, especially when taken together with Darwin’s quite wide-ranging reading of Hume.
At points in the Dialogues Philo appears to favor the Stratonian theory that matter is endued with an inherent principle of self-organization—the hypothesis that order is endogenous to matter, and need not be imposed by any external organizing principle such as thought, design, cosmological pollination or insemination. Moreover, on two occasions Philo seems to say that it is “plausible” or even “probable” that the self-organization of matter proceeds by absolute necessity, such that if we could “penetrate into the intimate nature of bodies”, we would be able to see that it “was absolutely impossible, they could ever admit of any other disposition.” (DNR 6.12, 9.10) I first consider Philo’s purposes in advancing the Stratonian hypothesis, and in framing this theory in the language of absolute necessity. I show that Philo’s reasoning here is ad hominem, and proceeds upon a number of methodological assumptions that Philo himself does not share. I also consider Hume’s own purposes in having Philo feint in this way, and suggest that Hume intends to deliver a message about the pointlessness of hankering after ultimate explanations in natural theology and philosophy.
This paper aims to assess the cogency of Hume’s famous argument against testimony for miracles. Hume starts by arguing in favour of a “general Maxim” which involves balancing the strength of the testimony “considered apart and in itself” against the inductive unlikelihood of the reported event. But although this reasoning shows real insight – anticipating what is now known as the “base rate fallacy” – it turns out that such a separation cannot work, and an adequate maxim must inevitably take into account the specific nature of the reported event when evaluating the epistemic strength of the testimony. There is also a deeper problem with Hume’s argument, which arises from his treating a miracle as an extreme example of an inductively unlikely event. For the believer can agree that miracles are inductively unlikely – or even physically impossible – whenever the world is proceeding normally. Where she will differ from Hume is in claiming that divine activity can interfere with the natural order, and can sometimes be identified through its purposive nature. Naturalist philosophers – like Hume – are likely to reject this, but their best argument for doing so comes not from theoretical probabilistic maxims, but from the hopelessly unconvincing track record of miracle reports, combined with the lack of evidence for divine purpose in the world (as revealed so artfully by Hume’s Dialogues).
This essay examines the relationship between sceptical attitudes and religious belief in David Hume’s Dialogues concerning Natural Religion. Understanding Hume’s thoughts on scepticism is one of the most important – if not the most important – keys to unlocking his thoughts on the legitimacy of reasoning in mathematics, science and philosophy. Intense controversies swirl around his explicit arguments and analyses of sceptical themes in his A Treatise of Human Nature and Enquiry concerning Human Understanding along with various essays. While some argue that Hume’s approach to scepticism changes in these various works, especially between the Treatise and Enquiry, this essay shows how examining Hume’s discussion in his Dialogues sheds light on his overall stance toward scepticism. And this understanding of his approach in turn opens up new ways of looking at how the various characters in the Dialogues can be read as advocating or illustrating Hume’s epistemological stance. Exploring these issues will also allow us to see how Hume anticipates certain aspects of contemporary debates about reasoning about the nature of logic in general and counterpossible reasoning more specifically.
This Introduction offers a brief review of the central arguments and issues that arise in Hume’s Dialogues. It considers why Hume used the dialogue format to present his views and it also considers how the content of the Dialogues relates to Hume’s other philosophical works and his historical context. It concludes with a brief summary of the various contributions and an account of the way that the collection is structured and organized.
At the start of Hume’s Dialogues Philo feigns to agree with Demea that he believes that God exists, and both Philo and Demea claim that we cannot come to have knowledge of the nature of God. In §1, however, I turn to Cleanthes’ ‘Newtonian Theism’ in which science is seen as serving theology, with a central role played by the argument from design. We can infer ‘that the Author of nature is somewhat similar to the mind of man’ (D 2.5). §2 turns to the various critiques of this argument put forward by Philo and we find that his alliance with Demea is a ruse. Philo rejects the theism of both Cleanthes and Demea. §3 focuses on part 12 of the Dialogues where Philo appears to take a more conciliatory line towards belief in God. Various interpreters take Philo to be committed to a thin form of deism or theism. I reject such interpretations and argue that part 12 does not diverge from the atheistic message of the Dialogues.
This chapter surveys associationist theories of emotion leading up to Darwin’s Expression. These theories analyze emotions as sequences of thoughts, feelings, and actions, linked together by principles of association. Thomas Hobbes contributes to this tradition the idea that emotions can be analyzed as “trains of thoughts.” John Locke contributes the idea that these trains are connected by the “association of ideas.” David Hume contributes the idea that association can occur via contiguity, resemblance, or cause and effect. David Hartley puts these ideas together to present the first full-fledged associationist theory of mind and emotion. Harley’s ideas are developed further by Joseph Priestley, Erasmus Darwin (Charles’s grandfather), Thomas Brown, James Mill, Alexander Bain, and Herbert Spencer, among others. This tradition in the philosophy of emotion has never before been described or analyzed.
This paper explores the evolution of critical responses to Hume’s account of external objects, with a focus on its intersections with developmental psychology. First, Hume’s contribution on objects is situated within all three books of the Treatise. Next, early interpretations of Hume on objects in the eighteenth century, including skeptical critiques by Reid and Shepherd, and Smith’s integration of developmental insights into a Humean framework are presented. The discussion then shifts to twentieth and twenty-first-century approaches, highlighting how perspectives from perception, cognitive science, and developmental psychology address gaps in Hume’s theory. The paper defends in particular the relevance of developmental psychology to supplement Hume’s account of external objects. The conclusion considers the broader implications of Hume and Smith’s theories on external objects, emphasizing their role in understanding sympathy and moral sentiments. By linking historical and contemporary perspectives, the paper underscores the enduring philosophical significance of Hume’s exploration of external objects.
Hume advances two negative claims about the source of the ordinary belief that one is the same person over time: this belief is not caused by perceiving a substance to which one’s perceptions belong; nor is it caused by perceiving real connections between perceptions. Hume’s positive account is that there is a felt connection among perceptions which, by associative processes involving causation and resemblance, induce the belief in personal identity. In the Appendix, Hume is satisfied with his negative claims but dissatisfied with his positive account. I offer an interpretation of his dissatisfaction. I argue that Hume cannot use causation or resemblance to connect present impressions with memories of past experiences to form the belief that I now am the person who also had that past experience. Furthermore, Hume’s explanations cannot retrospectively connect the believer in self with the self she believes in, without the painstaking work of distinguishing original perceptions and memories of them and tracing causal relations among distinct perceptions. Thus Hume fails to account for the ordinary belief that one is the same person over time.
Despite the considerable attention paid to Adam Smith’s ethical theory over the past quarter of a century, at least one area of his thought remains outstanding for the lack of interest it has received: Part V of The Theory of Moral Sentiments, “Of the Influence of Custom and Fashion upon the Sentiments of Moral Approbation and Disapprobation.” This is unfortunate, however, insofar as there are good reasons for thinking that Part V is important to Smith’s project. This essay substantiates this importance by placing Smith’s intervention in the context of David Hume’s earlier attempts to wrestle with the problem of moral relativism. The connections between Hume and Smith on this matter have not previously been explored, yet doing so is crucial for gaining a more complete appreciation of Smith’s moral thought. Beyond this historical intervention, however, I also contend that neither Smith nor Hume offer satisfactory answers to the philosophical challenge posed by moral relativism. Despite remaining the two outstanding theorists in the tradition of ethical sentimentalism, both Smith and Hume fall short on this score. Insofar as moral relativism remains a challenge to ethical sentimentalists today, proponents of this tradition must look elsewhere for solutions.
Adam Smith’s Wealth of Nations is standardly assumed, by apologists and critics alike, to have offered a theory of what money is: a “means of exchange” whose raison d’etre is to ease the inconveniences of barter. The present discussion rejects this consensus. Read charitably, neither Smith’s origin story in Book I nor his account of “the great wheel of circulation” in Book II traffics in a theory of what money is. Rather, the Wealth of Nations offers no theory of the nature of money at all. What Smith presents, instead, is a functionalist story of a piece with David Hume’s empiricism, which does not make any claims about natures or essences. Smith’s reply to the mercantilist theory of money—that money is specie—is not a rival theory of money’s true nature, but rather a broad depiction of the various ways money brings “conveniency.”